(Everything Everything) 推出帶有多平台VR活動的新專輯

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  • 分類: 產業區
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  • 作者: 音樂地圖
  • (Everything Everything) 推出帶有多平台VR活動的新專輯

      202012/2207:36

    ◎由於無法進行傳統的全國巡迴演出,因此在新冠病毒時代發行新專輯,毫無疑問,虛擬實境VR是一個共同的起點。英國樂團(Everything Everything)將在9月10日和11日進行兩次VR現場表演,以宣傳他們的新專輯《Re-Animator》。
    ◎這樣的活動值得關注,因為在Covid之後,現場行業重新調整了自己的位置,並弄清了直播演出可以收取多少費用、粉絲真正想要的虛擬體驗類型,以及他們希望如何互動。
    ◎幾乎任何現代VR頭戴設備都可以加入與VR社交平台Sansar合作創建的完全沉浸式演出。(Everything Everything)的方法遵循了久經考驗的粉絲公式,他們為額外的連接性支付了更高的費用。樂團出售兩種級別的門票:12美元的普通門票或25美元的VIP入場券,其中包括與樂團的虛擬實境見面會。將來,藝人可能會開始為超級粉絲提供額外的價格選擇。

    詳細全文:

    Launching a new album in the Covid-era has sent many artist teams scrambling back to the drawing board now that the traditional nationwide tour isn’t possible. Unsurprisingly, VR is a common starting point, and British band Everything Everything are performing two VR live shows on September 10th and 11th in support of their new album Re-Animator.
    It’s worth keeping an eye on events like these as the live industry rejigs itself in the wake of Covid, and figures out how much can be charged for livestream gigs, what type of virtual experience fans actually want, and how interactive they want them to be.
    Access for Everything Everything’s launch shows is wide-ranging and multi-tiered: pretty much any modern VR headset can be used to join in the fully immersive version of the gig, created in collaboration with Sansar, the VR social platform. Laptops and mobile phones will work too, albeit without quite so much interactivity. And the band are also streaming the first song of the set on the band’s Twitch page, so that the curious can check it out, perhaps before upgrading to a full ticket.
    Everything Everything’s approach follows the tried-and-true formula of fans paying more for extra connectivity. The band are selling two tiers of ticket: General admission at $12 or VIP access at $25, which includes a VR meet-and-greet with the band. In the future, artists may start to offer extra-pricy options for the “whales” – the tiny percentage of big-spending mega-fans.
    This period, as analyst Cherie Hu explores at length in her latest newsletter, shows the fragmentation that exists as livestreaming has it’s “moment.” There’s many competing platforms, and discovery is only starting to be addressed by companies like OnNow•tv – so there’s possibly a lot of consolidation to come.

     

    Musically
    https://bit.ly/2F5EPe0